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5 The Cathedral and the Sea 3​.​5​.​16

from Pfingstkirche 3​.​5​.​16 by Automatronic

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Prelude to a Prelude for Organ and Sea Noises. In the piano prelude La Cathédrale Engloutie Debussy describes a curious landscape: a Cathedral, moreover, a whole region appears covered by the sea. Time seems still, it is stretched to infinity. The legend of the engulfed City of Ys gives a clue for the origin of this landscape. In my composition The Cathedral and the Sea time is active, things happen: the sea, symbol of astronomic time devours (in five minutes, the duration of the composition of Debussy) a cathedral, symbol of human time. Time devours time. (Mesias Maiguashca)

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from Pfingstkirche 3​.​5​.​16, released July 29, 2016
Composition - Mesias Maiguashca
Performance - Lauren Redhead, Alistair Zaldua

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Automatronic London, UK

Automatronic, formed in 2013 by Lauren Redhead, Alistair Zaldua, Michael Bonaventure, and Huw Morgan, to explore, promote, and create new music for Organ+Electronics

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